mw2mw.com

someprojects.info

Marek — Sat, 07 Nov 2009 22:59:05 +0000

Information about some projects by Marek Walczak, Martin Wattenberg, Rory Solomon, Wesley Heiss, Johanna Kindvall and others will now be documented at http://someprojects.info….

[here][now]

Marek — Tue, 12 May 2009 23:16:08 +0000

[here][now] is an installation and Internet artwork that investigates the limits of patience and space in a multi-user virtual 3D environment. The project draws comparisons between technological progress and geographical exploration, implicitly hinting at an equivalence between forgotten geographies and outmoded technologies.

[here][now] will premier at the Incheon Digital Art Festival 2009 in Korea on August 7th 2009.

More…

Noplace at the Tate

Marek — Wed, 17 Sep 2008 20:06:39 +0000

Noplace Online has launched as part of the Tate’s Intermedia series.

Whether paradise, heaven or a pessimistic distopia, each of us has a vision like no place on Earth. In noplace you write a few words about that place that has not yet come into being. As your write, your words trigger a set of visual associations, colliding to form a video of your ideal.
LAUNCH

Noplace at Synthetic Times

Marek — Sun, 29 Jun 2008 17:14:38 +0000

Noplace Installation premiered as part of Synthetic Times in Beijing, running from June 9 – July 3, 2008. More images from the installation are here

Thinking Machine at Moma

Marek — Wed, 20 Feb 2008 16:10:05 +0000

We are pleased to announce that Thinking Machine is currently installed as part of Design and the Elastic Mind at the Museum of Modern Art, New York. The exhibition will run from February 24th to May 12th 2008.

Noplace : Heaven at Video Vortex

Marek — Thu, 18 Oct 2007 21:46:01 +0000

If you are in Amsterdam on Friday 19th October we invite you to the opening of Video Vortex at the Netherlands Media Art Institute

Where we will be showing our work:
Noplace : Heaven

You may enjoy some screengrabs of the piece.

Paste

Marek — Mon, 30 Apr 2007 19:55:12 +0000

Whatever is in your clipboard, something that’s on your mind or just a distraction, you Paste. Paste keeps track of everyone’s ctrl-V, option-V or middle-button press – these routine actions combine into a single text stream.

Paste collects both trivial and profound thoughts creating a continuous scroll. The minutia of collective consciousness forms a shared narrative. A narrative that reflects personal and public history – from the horrors of war to a recipe for mashed potatoes.

many eyes

Marek — Mon, 19 Mar 2007 14:13:44 +0000

Many Eyes is a bet on the power of human visual intelligence to find patterns. Our goal is to “democratize” visualization and to enable a new social kind of data analysis.

All of us in CUE’s Visual Communication Lab are passionate about the potential of data visualization to spark insight. It is that magical moment we live for: an unwieldy, unyielding data set is transformed into an image on the screen, and suddenly the user can perceive an unexpected pattern.

Gothamberg

Marek — Fri, 02 Feb 2007 16:32:57 +0000

Everyone who has lived in an apartment has a story to tell. Gothamberg is a place to read, interact and exchange stories of lives in apartment buildings. Together, these tales of sounds and smells, lobbies and bathrooms, laundry room gossip and unexpected favors form a single collective building, Gothamberg. Their experiences form the elliptical threads of inhabitation, a mnemonic quality expressing something of the shared nature of dwelling.

Launch

An Archive of Memory

Marek — Fri, 12 Jan 2007 17:29:05 +0000

This site specific artwork at the Cooper Hewitt National Design Museum’s 2006 Design Triennial is situated in front of a window facing the garden. It explores the reciprocal relationship between garden and interior, by reinterpreting the idea of window as a luminous and temporal information threshold.

Once a day a camera adjacent to the main entrance to the garden, records a 30 second film segment of the tree canopy along the back edge of the garden. This cumulative sequence is stored in a computer and played back on the 6ft x 3ft plane of Light Emitting Diode circuit boards. A larger 9ft x 5ft acid etched plane placed between the viewer and the LEDs resolves the pixilated abstractions presented by the LEDs. Meanwhile the compressed nature of the sequence reveals the temporal nature of the garden as it is transformed by the seasons.